CologneOFF IX, 9th Cologne International Videoart Festival (Germany): 07/01/13
is looking for experimental film, videoart, experimental documentary, art & animation and 60 second videos. – Wanted: single channel videos by film and videomakers from all countries on the globe – General theme: “Memory” & “Identity” .The festival is looking for innovative and experimental approaches in dealing with contents and technology Since 2012, CologneOFF is covering some new festival formats like – animateCOLOGNE – Cologne Art & Animation Festival http://caaf.newmediafest.org, exDox – experimental documentary film festival http://exdox.newmediafest.org and 1#minuteCOLOGNE – Cologne One Minute Film Festival http://comf.newmediafest.org. The call for entries is looking especially for submissions in these festival categories.
http://www.nmartproject.net/netex/?p=4787
Flyway Film Festival
Flyway Film Festival: 04/30/13 (Wisconsin) note: this is the deadline for free submissions
Four day, independent film festival.
http://flywayfilmfestival.org/2013-flyway-film-festival-submission/
Melbourne International Animation Festival 01/17/13
This festival looks great! I will add this to the January postings as well.
best of luck,
{tmr}
Melbourne International Animation Festival 01/17/13
DVD submission PAL format, all regions
The Melbourne International Animation Festival (MIAF) is one of the largest animation festivals of its kind in the world. It usually screens around 350-400 films each year in competitive, student, curated & retrospective programs.
http://www.miaf.net/2012/entries.html
3rd Annual Made with AfterEffects show on MotionTV: ddl January 9th, 2013
After Effects is turning 20 and we’re celebrating with our 3rd annual Made with After Effects show with special guests Trish and Chris Meyer.
We invite talented After Effects artists to submit their work by January 9, 2013.
three easy steps to enter:
1) upload your 5-minute or less entry to the motion.tv Vimeo group by 11:59PM on Wednesday, January 9, 2013 and tag it “madewithaftereffects” and “motiontv”
2) fill out our online entry form, providing a link to your entry on our Vimeo group
3) attach your After Effects project file to the entry form (so we can verify it was made in After Effects)
Incomplete submissions will be disqualified. Early entries are smiled upon :)
Then, Wednesday night, January 23 – the top 10 will be featured live on our “Made with After Effects” online show. The top three winners will win great prizes.
http://motion.tv/ai1ec_event/made-with-after-effects/?instance_id=54
Festival Profile: Norbert G. Suchanek & Marcia Gomes de Oliveira, International Uranium Film Festival
Some film festivals support important causes. One such festival is the International Uranium Festival, which is now entering its second year. The festival has raised awareness about nuclear energy. While the festival takes place in Rio de Janeiro, it also travels to other locations for screenings. I recently conducted an email interview with the executive director, Marcia Gomes de Olivera. When asked about the audience for the festival, she replied, “The nuclear issue is an issue that affects everybody in all countries! And everybody has to know about it”. Perhaps they will inspire filmmakers of all genres to create films about the subject. I wish them luck in their endeavors.
{tmr}
Foto: Marcia Gomes de Oliveira
What are your names and the name of the festival you organize?
Directors: Norbert G. Suchanek & Marcia Gomes de Oliveira, International Uranium Film Festival / Urânio em Movi[e]mento
Can you give a little background about your festival? Why it started, when it started, where it is located, how many days it is and the focus?
We started the festival in 2011, the first time in Rio de Janeiro. The festival is to inform about total nuclear energy chains and about all radioactive risks and problems. It starts from Uranium mining to Nuclear Waste, from Atomic Bombs to Nuclear accidents. The location is Rio de Janeiro, Cinema of the Modern Art Museum – MAM Rio. It is in general 10 – 14 days. We screen all films – documentaries, short and features, fiction movies and animated films. Also the festival wants to be a think-tank: a home for the filmmakers that deal with that often very dangerous and sometimes deadly subject. They simply often risk their jobs or their lives, if they tell the truth about the nuclear risks. For example: This year Filmmaker Magnus Isacsson died of cancer, he made one of the most important films about uranium mining in Canada. During the film festival in Rio de Janeiro, the nuclear filmmakers exchange their visions and experiences. The festival of course wants to give more visibility for these; for mankind important films and filmmakers. For example Nuclear Waste of nuclear power plants, that we produce every day, is a danger for humanity for the next 100.000 or more years. We should not forget this. So the festival also is about not forgetting these risks.
What is it like to attend your festival? Who attends your festival?
The festival is for all people between 15 and 115 years. Because the nuclear issue is an issue that affects everybody in all countries! And everybody has to know about it. For that we have also travelling Uranium film Festivals. January 2012 we have been in Portugal, Lisbon, and October 2012 we have been Germany, Berlin. And soon in 2013 we intend to go also to India.
What is the submission process? Post or online submission?
The submission is by Post. We prefer DVD as preview copies at the moment. But in future we will have also online submission.
Why is the festival free to enter?
Not all filmmakers are rich. Some filmmakers have less money but (what they have) produced (is) important. We do not want to exclude someone only because of the lack of money. The call for entry for the festival next may 2013 is open until January 31, 2013.
Anything else you would like to add?
Our festival is an independent Festival. We make our decisions free of any pressure from companies or governments. But of course the festival needs financial support from individuals and sponsors. Without support from social or environmental responsible people and companies the festival cannot continue.
The participation of filmmakers and artists like Yoko Kumano (left) is one important part of the festival. The “nuclear” or “atomic” filmmakers can exchange or share their experiences with each other and with the audience. Foto: Yoko Kumano and Uranium Film Festival General Director Norbert G. Suchanek in the Cinema of the Modern Art Museum of Rio de Janeiro, MAM Rio.
Norbert G. Suchanek
Diretor Geral Uranium Film Festival
Marcia Gomes de Oliveira
Diretora Executiva
Uranium Film Festival
www.uraniumfilmfestival.org
Entry Address
Uranium Film Festival
c/o Marcia Gomes de Oliveira
Rua Monte Alegre 356/301
Santa Teresa – Rio de Janeiro/RJ
CEP 20.240-194
Phones + 55 (21) 7207 6704; 2507 6704
Festival Profile: Simon Mullen, Strawberry Shorts Festival in Cambridge
The Strawberry Shorts Film Festival in Cambridge has undergone a few changes over the years- in organizers and locations. In addition to having a unique story, it has a character and personality all it’s own.
Recently I conducted an email interview with Simon Mullen, the principal festival organizer. Among other things, Simon and I discussed the history of the festival, the experience of being in the audience, and the type of work they like the most.
The deadline for the Strawberry Shorts Film Festival is April 19th. Good luck !

What is your name and the name of the festival you organize?
My name is Simon Mullen and I am a principal organiser of The Strawberry Shorts Film Festival, the flagship event of Strawberry Fair. I feel I need to explain my role in the festival at this point. In 2006 John Clements, the then organiser of the Strawberry Fair Arts Area, asked me to help with the festival. I ran the festival from 2007 to 2009. Since 2010 we have been building a committee to run the festival, although I am still central to its organisation.
Can you give a little background about your festival? Why it started, when it started, where it is located, how many days it is and the focus?
The Strawberry Shorts Film Festival is the competitive Short Film Festival of Strawberry Fair. Strawberry Fair is the UK’s largest annual not-for-profit, volunteer run community festival of arts and music. The Fair runs is always held on the first Saturday of June on Midsummer Common, which is situated in the heart of Cambridge. Strawberry Shorts is the opening event and is held on the Friday evening..
Strawberry Shorts was started in 2000 by John Clements, the then organiser of the Arts Area of Strawberry Fair. The story goes, the night before the fair John noticed the large, and very empty, Big Top Tent standing next to his Arts Area, waiting for the Fair to start the next day and he thought, “what a waste of a tent” and wondered what he could do with it. The answer he came up with was Strawberry Shorts. Strawberry Shorts ran in the Big Top Tent from 2000 till 2009. The Big Top Tent can be seen in this photo gallery from 2006 http://tinyurl.com/czv7o67. During this time we also ran a Strawberry Fair Art Area Film Marquee during the main Saturday Strawberry Fair event. The Big Top Tent was a wonderfully exciting and appropriate venue for our festival. It really set the scene for the roller-coaster ride that a good short film programme should be. In 2010, due to petty bureaucrats and the vindictive forces of law and order, the fair did not run for the first time in forty year and hence the film festival did not run that year as well.In 2011 the fair suffered large financial cut backs. There was no Big Top Tent and the film festival had to run in a tatty old marquee. The festival was successful but staging it was a herculean task that almost broke us. This was when it became apparent that we really needed a new venue. This year we staged Strawberry Shorts in The Cambridge Festival Theatre, situated just across the road from the site of The Fair, (how convenient is that?) Its a glorious venue, one of only four remaining pre-Victorian theatres in the UK. Check out the 2012 photo gallery to see how beautiful The Cambridge Festival Theatre is. http://tinyurl.com/8zfzuhr This year we have also made great strides building a functioning committee.
The focus of our festival is, of course to promote the art of the short film. But we also feel that we have a mission to engage with the audience and help enhance their viewing. Its all very well to let them just sit there and watch film after film but the trouble with that is that, often, by the end of the evening they cant remember half of what they have seen and are not sure why they remember the other half. That’s where having audience awards works. They have to vote on each film and therefore have to think about it and perhaps engage with those around them.
We also put on screenings throughout the year, not just Strawberry Shorts, (we have amassed in excess of 1200 films). At these events we are attempting to address the engagement issue by running screenings, with breaks between films where we nominate audience members to vote and comment on what they have just seen. We then try and wind the rest of them up to agree or disagree with the voting. It can get quite lively at times and certainly helps to give the films more consideration, which many deserve.
What is it like to attend your festival? Who attends your festival?
Attending Strawberry Shorts is fun, (and if its not there will be questions asked and heads will roll!).
We always have a performance element as part of the festival, usherettes, sleazy cinema managers, introductions and chats from front of house. This aids our engagement with the audience and helps the audience engage with the films. The festival is fully competitive with audience and jury awards. The audience hugely enjoy having a say about each film and casting their vote. The festival is attended by Cambridge residents, general riff-raff, ner-do-wells, a scattering of the glitteratti, and film-makers with their free-loading hangers on.
What is the submission process? Post or online submission?
To submit a film you need to complete and submit an online form. Then you need to download and complete a permission slip that you return to our festival office together with your film on region free PAL or NTSC DVD.
Why is the festival free to enter?
Strawberry Shorts is the short film festival of Strawberry Fair and Strawberry Fair has a remit to promote and enable performance and the arts by local people. Strawberry Shorts supports this remit by providing an international competitive forum for local filmmakers to submit their films to. An entry fee would place a barrier to local film submission and so we don’t have one. And we extend this to our international film submissions as well. The end result of this is that each year we receive a large number of awesome short films from around the world. Often the submitted films are idiosyncratic and strongly personal, brief windows on other worlds and these are the films we like the most.
Anything else you would like to add?
Cambridge Cinema Shorts was formed by the Strawberry Fair Arts Area crew, initially to run the Strawberry Shorts Film Festival. Engagement with the audience during live performance is an natural emergent property of live performance in front of an audience. This is due to the shared humanity of the performer and the audience. However audience engagement during the exhibition of short film is much more problematic. Cambridge Cinema Shorts has spent the last three years running experimental film screenings (its the screenings that are experimental) in a research effort to find a formula for audience engagement during short film screening. Lately we have had some success with this and have great hope for future development.
Strawberry Shorts Film Festival (UK) 04/19/14
short films, any genre, under 20 minutes.
Submit online form, send dvd with permission slip
http://www.cinema-shorts.org
Festival Profile: Alec Balas, Great Underground Horror Film Festival
Yesterday I was able to interview Alec Balas about his new online festival, the Great Underground Horror Film Festival. This festival is held in your living room, your kitchen, your great room, wherever you have a computer or a tv with wireless access. Alec reminded me both of the great time we are living in and of the phrase, “Be the change you want to see in the world.” The deadline for submission is October 22nd. Be sure to check out the festival on Halloween!
My name is Alec Balas and I organize the Great Underground Horror Film Festival.Can you give a little background about your festival? Why it started, when it started, where it is located, how many days it is and the focus?
I’m a filmmaker and I see all of these festivals you can enter and how costly they are. You don’t even know if you are going to get in. I wanted an outlet for people like me. Starving artists who could just send a link to a festival and all the work is done. Most of these festivals like Sundance and Tribeca are exclusively for Hollywood. Unless your the Duplass brothers or a Swanberg your not going to get in even if you have a really great film. Basically I started GUHFF because its exactly the festival I would want to find and enter. One that was completely indie FOR REAL and one that people have a chance at. I started this festival with a friend of mine Chris Smith in early september. Its completely online but I live in Chicago so thats where its home is. Its a quick entry period because I am so impatient and don’t want anyone waiting six months before they know if they got in to a festival. It started on September 20th and the submission deadline is October 22nd. We will be uploading the winning links on Halloween! Our focus is Horror which is something I chose because its my first festival and I didn’t know what response, if any, I would get so I chose my favorite genre and kept everything else wide open. Luckily, I got a response and without much promotion so its been really cool and has inspired me to maybe do another festival including all genres in a couple of months maybe??
What is it like to attend your festival? Who attends your festival?
Well its all online so attending is as easy as sitting at your computer with some popcorn. Indie filmmakers, horror fans, average joes, everyone and anyone really. I have always felt a little weird because I enjoy sports but I can also have a great conversation with someone about how awesome Evil Dead is so I would hate to tell someone they aren’t invited. Mostly because they are.
What is the submission process? Post or online submission?
The GUHFF submission process is pretty simple. All you do is go to our website and fill out a submission form which is really just your name and then the link to your film which is on Vimeo or youtube. Technology has really allowed this festival to happen. Or just email greathorror@hotmail.com with the link and some info.
http://www.greathorrorfilmfest.weebly.com
Why is the festival free to enter?
I wanted to create a festival that was free in every aspect from the curation of the website to the submissions and awards given. I don’t feel like you can put a price on art or grade a paper that is an opinion yet we do it daily so I want to make a statement that art is really free and its meant to be enjoyed and created by everone. Art isn’t exclusive. DONT leave it to the pros. Its for everyone and everyone isn’t rich.
Anything else you would like to add?
Thank you so much for contacting me and asking about the GUHFF. Freedom for free! Art has no rules, only avenues.
Its my cat Fiona
This blog – No Entry Fee Festivals
I started a list of festivals with no entry fee several years ago as a resource for media artists, particularly my students. At the start, I found a couple of articles listing festivals without entry fees. These articles were a helpful starting point, but as I looked, I found many more festivals out there.
Over the past two years, I have continued to add to my no entry fee list of festivals, competitions and other exhibition opportunities. Recently I have evolved this list into a blog for animators, video artists and digital filmmakers, whether they are students, amateurs or professionals, who are looking for opportunities to screen their work.
Many of the festivals are international. A word of caution: these are not for procrastinators. While it can be inexpensive to send a dvd or cd in advance, it can be incredibly expensive to send it overnight. (As an example, the cost to mail a dvd overseas from the US can range from 1.40 if mailed well in advance, (regular post) to 100.00+ to overnight at the last minute.) Some festivals have an online submission option. Some festivals that charge to submit online have free submission for students, but need to be mailed. Some online submissions still require that a dvd is sent after the online application).
best of luck,
tracy miller-robbins





